​I am on sabbatical during Autumn 2021 to learn about radical place-making on Tacoma's Tideflats: the LNG plant, the recent bill passed to shut down the NorthWest Detention Center (NWDC), and the lawsuit against unjust enrichment through forced labor of detained workers at the NWDC.

I serve on the editorial/advisory boards of Antipode: A Radical Journal of Geography; Environment and Planning D: Society and Space; and The Professional Geographer. I also serve on the Committee for Annual Honors of the AAG (elected as of July 1, 2021).


​Green Wars

Green Wars critiques the criminalization of Indigenous land defenders in settler colonial Guatemala and calls for a material decolonization in recognition of Q'eqchi' Maya territoriality. The book is published in English (distribution in the US) by UC Press and Spanish (distribution in Guatemala) by AVANCSO. The book is also available open-access through the Consejo Latinoamericano de Ciencias Sociales (CLACSO) at http://biblioteca.clacso.edu.ar/clacso/gt/20211007025743/Guerras-verdes.pdf

Winner, 2019 Cultural and Political Ecology (CAPE) Outstanding Publication Award, American Association of Geographers.
Photo of a mural at night reading (Illustration by Wesley Carrasco)



​Abolition Geographies

My research imagines what abolition geographies mean in practice -- a Tacoma without a detention center? a Seattle without a police department? All too often, seeking to end violence ends up relying on hierarchies of oppression, the non-profit industrial complex (NPIC), and individualized charismatic leadership. Instead, I think about radical place-making that is centered on relationships of solidarity rather than individualism, an abolition that means that no person --and no land --  is disposable, and building non-hierarchical relations across communities on the same place.



​Latinx Geographies 

My research working with Q'eqchi' land activists challenged my assumptions about a singular Chicanx / Latinx identity. Attention to place-making in Latinx geographies reveals what is at stake in Latino studies' cultural appropriation of Indigenous language and art for Indigenous nations' material claims to their homelands.